Plutarch's Construction of the Greek Past: Male Eros, Marriage, and Military Cohesion from Xenophon to the Imperial Era
Abstract This essay examines the representation of male–male relationships, homosociality, marital customs, and militarised male bonds in the works of Plutarch of Chaeronea (c. 46–120 CE). Focusing principally on the Life of Lycurgus and Life of Pelopidas , and using Xenophon's Constitution of the Lacedaemonians as an earlier comparative point, it investigates how later Greek writers represented Spartan education, marriage, sexuality, and the Theban Sacred Band. Particular attention is given to the historiographical phenomenon known as the "Spartan Mirage": the tendency for Sparta to be represented by later observers as an exceptionally disciplined, coherent, and morally ordered society. The essay does not treat Plutarch as a transparent witness to classical Greek institutions. Instead, it approaches his biographies as retrospective constructions that select, organize, and moralise inherited traditions. Xenophon already presents an idealising account of Sparta, but P...