You see, academia will not approach Thoth for a while. Neither will you see the Olmecs depicted in any major Hollywood movies—: it raises profound, unsettling questions

The mysteries surrounding ancient civilizations like the Olmecs, Incas, Mayans, Dogons, and Hopi will continue forever because modern academia refuses to genuinely revisit or engage with ancient texts. Even J. Robert Oppenheimer, known as the "father of the atomic bomb," referenced these texts when he quoted the Bhagavad Gita: “I am become death, the destroyer of worlds.” 

Once we examine Tehuti (Thoth), all these mysteries will be solved, though I doubt this will happen soon—perhaps not for generations. Why? 

Our current generation, especially our elites, know exactly what could happen if we approach these texts, which read like science fiction to the uninitiated or common people. 

In fact, they’ve been referenced by the highest occultists and even corrupted to create many supposed high-class secret societies.

Thoth (Tehuti) did mention that he sent his followers to restart knowledge after a calamity afflicted Earth. He claims in his tablets that he did this to restart and recivilize humans who had devolved back to barbarian status.

 This explains various indigenous tribes reporting their gods or ancestors coming from the stars—or, in the case of the Dogons, the ocean. The Hopi mentioned the “Ant People,” for instance. We have no description of what Thoth looked like, and even if we did, we couldn’t trust it, especially considering his references to advanced technology at the very beginning of his report. Shapeshifting or cloaking technology, therefore, cannot be ruled out—just as the Hopi and Dogon reports suggest submarines or submersibles by today’s standards, or USOs.

 The Incas and Latins report dragons, and it wouldn’t be far-fetched to suggest that ancient “savage” humans mistook flaming rockets for dragons. After all, Thoth himself reports hiding a spacecraft in the pyramids.

The features of the Olmecs, their helmets, and the recurrent technological-like apparatus depicted with them carved in stone align with all this as well: technology, Africa, and Thoth’s influence. His first landing port was Kemet (ancient Egypt), and he said he stayed there for thousands of years. 

Could he have trained and recruited other followers in addition to his initial disciples? 

The answer is most likely yes.

So you see, academia will not approach Thoth for a while. 

Neither will you see the Olmecs depicted in any major Hollywood movies—it raises too many questions that haven’t been asked on this planet for thousands of years.

 Now, I think it’s time to re-ask these questions. 

The best way is to make Thoth, or the Emerald Tablets of Thoth, as popular as any religious or spiritual book—but without the requirement of blind faith. 

In fact, my position is that it should be queried as much as possible. Because, instinctively and with a bit of common sense, you’ll deduce where this version has been corrupted by...well, your guess is as good as mine. 

But this corruption led directly to figures like Aleister Crowley and the like.

Notice:

 The depiction of Viracocha, the Andean alleged creator deity, in what appears to be a rocket only deepens the mystery. 

If this image is accurate, it aligns perfectly with accounts of other ancient beings or “gods” associated with advanced technology and flight. Viracocha was described as having come from the stars, and the visual representation of him in a rocket-like vessel could suggest an ancient memory of actual advanced machinery or spacecraft. 

This further implies that the Incan, Mayan, and other indigenous accounts of sky-faring gods or "dragons" could indeed be actual UAV encounters with beings who possessed technologies far beyond our savage understanding, especially when viewed by ancient backwards people.

The Viracocha image is another reason mainstream academia avoids addressing these figures in any depth. 

It raises questions about history and the possibility that “gods” of early civilizations were perhaps visitors [ explorers, scientists, teachers, archivist's, Restorers, technicians ETC ] with technology indistinguishable from magic to the human eye. 

When viewed alongside the Olmec, Dogon, Hopi, and other ancient cultures, this depiction of Viracocha suggests that the knowledge and stories of technologically advanced visitors—or ancestors—are far more widespread than most people realize.

[Olofin]